-
Warning Shot 1:330:00/1:33
-
Half 3:020:00/3:02
-
Body 2:180:00/2:18
-
101 Freestyle 3:310:00/3:31
-
Flight 3:320:00/3:32
-
Drip Off Tap 3:330:00/3:33
-
Lil Bitty 3:200:00/3:20
“you need to go into performing full time , you're ready” - Teresa Espinosa Emmy-nominated choreographer: Janet, Britney, Prince, Magic Mike
— DNA FEST '25
ABOUT UENO:
IAmUENO
Until.Everything.Numbs.over
There’s a version of I.Am.Ueno’s story that starts with Little Rock, Arkansas — the heat, the culture, the specific kind of hunger a city that size produces in someone who was always meant for more. But the real story starts earlier than geography. It starts with music being the one language that never needed translation. Before she had the words for what she was doing, she was doing it.
She carried music with her when she left home — bittersweet and hungry, trading the familiar for something bigger than she could fully name. That departure wasn’t just a move. It was a reckoning: with identity, with roots, with what it means to love a place and still need to outgrow it. That tension lives inside every record she makes, and it’s what makes the music feel real in a way that is increasingly rare.
Her sound defies easy categories: trap instincts, experimental nerve, and ghetto tech rhythm, filtered through a voice that is simultaneously raw and precise. Dynamic is the word people reach for — because no two listens feel exactly the same, and that is by design. Think Doechii’s creativity. Flo Millie's bite. Snow tha Product’s unfiltered hunger. Now grow it in Arkansas and season it in L.A. That is I.Am.Ueno.
She has earned her credibility the unglamorous way: stages, not shortcuts. She has toured on the GMSH circuit, performed at SXSW, 626 Night Market, and Space City Fest, and opened for multiple artists such as: Kevin Gates, La Chat, Turk, and Shanelle of Young Money. She received a live co-sign from Cory Gunz and placed Top 20 in the Coast to Coast rap competition. The resumé is real — but what stays with people long after the show is something harder to quantify. A feeling. A frequency.
She describes her music as a mood mining drug — and the name says everything else. Until. Everything. Numbs. Over. Not nihilism. Not escapism. Something more honest than both: the quiet relief of a sound that finally matches what you have been carrying.
PRESS
